Pixcouver

from $14.95

This image is available for the following products: Giclee Fine Art Prints, Prints & Posters

Zack Pensak

penza__art

What began as a black and white landscape shot of the Vancouver skyline taken on Kodak Tri-X 400 film was subjected to late-night experimentation on colors and levels, and consequently morphed into a shockingly saturated and pixelated collage made up of several subjects on a single frame. Having half-madly and half-accidentally turned everything in the original photo into a luminescent portrayal of a simple beach day, I became interested in scraping certain people and buildings back into their original color, creating a diametrically opposed clash of cyberpunk skylines and analog timeless objects. I aimed to produce a final result that transports the viewer into a distorted reality full of electric visuals and starkly frozen shapes.

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This image is available for the following products: Giclee Fine Art Prints, Prints & Posters

Zack Pensak

penza__art

What began as a black and white landscape shot of the Vancouver skyline taken on Kodak Tri-X 400 film was subjected to late-night experimentation on colors and levels, and consequently morphed into a shockingly saturated and pixelated collage made up of several subjects on a single frame. Having half-madly and half-accidentally turned everything in the original photo into a luminescent portrayal of a simple beach day, I became interested in scraping certain people and buildings back into their original color, creating a diametrically opposed clash of cyberpunk skylines and analog timeless objects. I aimed to produce a final result that transports the viewer into a distorted reality full of electric visuals and starkly frozen shapes.

This image is available for the following products: Giclee Fine Art Prints, Prints & Posters

Zack Pensak

penza__art

What began as a black and white landscape shot of the Vancouver skyline taken on Kodak Tri-X 400 film was subjected to late-night experimentation on colors and levels, and consequently morphed into a shockingly saturated and pixelated collage made up of several subjects on a single frame. Having half-madly and half-accidentally turned everything in the original photo into a luminescent portrayal of a simple beach day, I became interested in scraping certain people and buildings back into their original color, creating a diametrically opposed clash of cyberpunk skylines and analog timeless objects. I aimed to produce a final result that transports the viewer into a distorted reality full of electric visuals and starkly frozen shapes.